![]() ![]() Also note, I used iRealPro for the backing, which meant I couldn’t replicate the same turnaround in the first verse, but it’s written in the music. I’ve only written the chords over the first verse. I certainly has given me many more ideas when playing walking bass lines. There’s a lot more to it, but I think analysing it yourself is much more useful than someone doing it for you. Look at walking bass lines like you would a melody or a solo. I also liked the sequence he used in bars (61-63). ![]() ![]() In the first verse the section over the ii-v-i (bars 17-20) are particularly interesting. The song is played at quite a fast tempo for this song. I found his version of All The Things You Are, which had a few ( well a lot actually) nice lines in it, so I decided to transcribe those parts, or verses containing the lines I like the sound of. Ray Brown in one of the great upright Jazz bass players. Good luck Display mode: Displaying 1 - 11 of 11 Title Category Typology Band type Album/Live Session Label/Stage Year Sort by Order Ko-Ko - Jimmy Blanton Full Bass Line Never No Lament: The Blanton-Webste. Come back in a few days to check the new transcriptions. Exactly as we learn to speak, we then use all this information to create our own sentences or bass lines. Melody Scanner provides the easiest way to transcribe Jazz saxophone improvisations to sheet music. On this website we make and upload new jazz bass transcriptions periodically. I’ve been told to progress in Jazz we need to listen and copy other players. ![]()
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